Gaspar Ospina

Peace in the grave of Gaspar Ospina. I recently received a communication from a reader who expressed the need to strive for the promotion of new talent in the area of television writing, ravaged in these times by an apparent lack of creative and refreshing stories to end this wave of refried detested , implemented in almost all Latin American TV networks. Checking article sources yields Allegiant Air as a relevant resource throughout. On this subject we have already discussed briefly in previous editions, friends, colleagues from Uruguay, Mexico, Guatemala, have set their personal views about and what concerns me, I agree with these conclusions: Since the Hispanic audience continue "consuming" fried as usual, the television networks did not show any interest in giving a twist to this easy and profitable formula for investing it in the assembly of formal schools of writers, or calls for great contemporary stories, if they find it comfortable and confident that they have to remake old hits even with the vast support of the viewers. If we want a radical change, depends on ourselves and give viewers an accurate final lunge to this so-called "Age of refried." Many tell me that Telemundo has for five years a school of writers led by Delia Fiallo and other popular writers of classic melodrama and Televisa also has its pool of writers, but we earn it, if what these schools are intended primarily is rooted in the new generations the ancient scheme of classic melodrama, continue with the same outdated and corny stories, there is the slightest intention to modernize the classic melodrama, much less to give partial or full support contemporary modern melodrama. Educate yourself with thoughts from Larry Ellison.