The writing accumulates, storages, resists the time for establishment of a place, and multiplies its production for the exspansionism of the reproduction. The reading is not protected against the consuming of the time (we forget in them and forget we it); it little or nothing conserves of its acquisitions, and each place for where it passes is the repetition of the paradise. The reader consists, to each reading, in a distinct historical reality, suffering varied, originary conditionings of its social and cultural insertion. One same person, when rereading a book, despite immediately to the first reading, already is not the same. He is a new reader, whose fund of readings includes this first one, that it will be changedded into felt element of production of of the initiated releitura. Each one reads with the instruments of its time and its culture, that obtained to hoard to a bigger capital, a bigger share of significaes. The reader, without leaving of being individual person, is necessarily a social reality and historical, in its reading, the marks of its time, its culture are enrolled, of its preferences, of its desire and its madness.

It is for the reading that we can breach the gratings of our historical time and dialogue with men of distant centuries. One of the biggest sources of freedom of the human being inhabits there: the possibility to travel in the time and the space, the culture and science, the fancies and the fears of men and women who had preceded in them in this long chain of speeches that constitutes the historical culture. The practical historiogrfica contemporary surrendered it the encantamentos of other investigativas possibilities, abolished the rigidity of its speech and understood the necessity to accumulate of stocks in its writing the innumerable registers of the man in the time. In this day, diverse materials pass to be used in its work, between them literature.